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Please help improve it or discuss these issues on the talk page. Learn how and when to remove these messages. This biography of a living person needs additional citations for verification. May A major contributor to this article appears to have a close connection with its subject. Quick Facts Background information, Birth name Nomfusi Gotyana born , [ 1 ] known mononymously as Nomfusi , is a South African singer and performer of Afro-Soul music.

She was born in the township of KwaZakhele in the Eastern Cape.

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Her mother Kwazibani "Who Knows? A domestic worker by day, Kwazibani was a sangoma African medicine woman with a gift for music. Nomfusi accompanied her mother to the weekly sangoma rituals "Intlombe" where Nomfusi developed her musicality. Her performances have been described by critics locally and overseas as "an absolute riot to watch and hear", "a refreshing blast of energy".

The Swazi Observer named her "best artist in the overall line-up" at the Bushfire Festival. She has been profiled on television and in the press.

Biography channel queen: Nomfusi Gotyana (born ), [1] known mononymously as Nomfusi, is a South African singer and performer of Afro-Soul music. She was born in the township of KwaZakhele in the Eastern Cape. Her mother Kwazibani ("Who Knows?" in English) raised her while her father languished in jail for 21 years.

Producer Anant Singh claimed that the film would be "the largest South African production ever mounted. She could go all the way. Kwazibani featured two singles that gained her audience both locally and internationally. She released her second album in , Take Me Home , targeting a Mzansi audience. The album spawned singles "Uthando Lwam" "Qam Qam" and a duet with Ringo, "Kunjalo" that charted with multiple radio stations.

Nomfusi: Well, I have been working on my new album. Nomfusi: My first album kind of introduced me to the industry and to the world. This tour was very overwhelming for me, and I was immediately associated with the world music genre, the category that musicians like Hugh Masekela are put into. It was such an honour for me to be under that wing, but with this new album I want to reach a bigger crowd, especially internationally.

My previous album was completely in Xhosa, and people immediately classified my music as world music, so for the new album I am also writing English songs. Nomfusi: I wrote a song about love. I truly believe that loving yourself is the primary and the best love ever.

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I think that if you love yourself enough, you can love unconditionally and can be content with that. I know that the world out there is promoting the romantic type of love, and I think that there is nothing wrong with that, but with my music, I want to approach love in a different way. Nomfusi: What I always want with my music is to fuse two beautiful genres, or even, say, two worlds.

I want to fuse the Motown world and Sophiatown music, and I want to try and make it modern. Sophiatown is the place where my musical inspiration comes from. Even in the times of Apartheid, it was a place where people met and played music together. I think when soul music talks about a very serious topic, it manages to separate out the harshness of the topic and to put a positive sound in it.

So, when I started my project, I wanted to fuse the two worlds with that type of music. Most black South Africans know poverty, and that is the meaning of the song. Every time I sing this song, I get people raising their fists, because they know what I am talking about, because they know poverty. I feel that the most dangerous poverty is being poor in your mind, and that kind of have-not can kill you more completely than a poverty that has to do with lacking food, clothing or shelter.

With this song I was bringing awareness, and at the same time, I was connecting with so many people. There is also a song on my new album I wrote, which is not finished yet, but I love the lyrics.

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When I wrote those lyrics, I wanted to communicate that. I love her lyrics. She is probably around my age, and I love the quality of her voice.